By Clement Obropta Sometimes, as though only to show that they can, auteurs go to space. Stanley Kubrick had 2001: A Space Odyssey (1968), Christopher Nolan had Interstellar (2014), and now Claire Denis has High Life (2019). Regrettably, though it isn’t the sausage fest those perennials of science-fiction cinema are, Denis’ fantastical story of a … Continue reading →
