The only thing predictable about writer/director Paul Thomas Anderson is the unpredictable nature of the movies he chooses to make. The same man has made films featuring the porn industry, 19th-century oil drilling, a veiled story about Scientology, and a ‘70s-set rom-com. His new film, One Battle After Another, features another hard left turn, this time into the world of revolutionaries that just might be a very timely political critique. The sprawling film begins in an incendiary manner, ...
