From vaporwave-inflected exhibition-making to the recurring debates around Diane Arbus’ work, the latest instalment of What We’re Reading gathers texts that follow the circulation of style, ethics, politics, and power through curation, criticism and photography – exploring, by turns, where art is made palatable and where it speaks with urgency. Ariella Aïsha Azoulay considers how photographs from Gaza might resist their conscription into state propaganda, while Mariam Barghouti’s Eye...
