There is no reason why a remake should remain inferior to its source material; even less so when it’s a ‘reinterpretation’ by an auteur as opposed to a cynical scheme for studios to cash-in on audience’s nostalgia. Ali: Fear Eats the Soul (1974) comes to mind: Douglas Sirk’s Hollywood melodrama All that Heaven Allows (1955) […] The post Spike Lee’s lackluster remake: Highest 2 Lowest appeared first on Cherwell.
