Kodak sells a lot of film. When the world asked them for more medium-speed colour-negative film, they answered with three products: Kodak ColorPlus, Kodak Gold, and now the new Kodacolor 200. But seeing how they are not doing a very good job at explaining the difference (if any) between those three films, I spent several days researching and planning an experiment that compares the colours, grain, and dynamic range under various lighting conditions. Read in full on Analog.Cafe.
