David Peat, Back court, Gorbals, 1968, silver gelatin print. Boswell Collection HC2013.1(2) © The Estate of David Peat, all rights reserved| Harry & Margery Boswell Art Collection
Mute Swan by Calum Colvin, (HC1999.3) To mark the 25th anniversary of the founding of the Harry and Margery Boswell Collection at the University of St Andrews, Clare Fisher interviews artist Calum Colvin| Harry & Margery Boswell Art Collection
C’est moi…, Maud Sulter, HC2019.5(7)© Maud Sulter Estate, all rights reserved. Image courtesy of University of St Andrews.Dr Catherine Spencer, lecturer in Art History at the University of St Andrews writes about the inspiring work of Maud Sulter. Catherine’s research and teaching focuses on art since the 1960s in the US, Latin America and Europe, particularly in relation to performance; technologies of mediation; internationalism and transnationalism; sociology, psychology and psychoa...| Harry & Margery Boswell Art Collection
Zurich Improvisations XII, Alan Davie, (HC2001.14), ©The Artist’s Estate‘All of them were filled with the Holy Spirit and began to speak in many tongues as the Spirit enabled them.’| Harry & Margery Boswell Art Collection
Dr Tom Normand, Honorary Research Fellow, University of St Andrews and co-ordinator of Boswell Collection, image courtesy of the University of St Andrews| Harry & Margery Boswell Art Collection
‘Passage I’, Kenneth Dingwall, 2009 © The Artist| Harry & Margery Boswell Art Collection
From the Pre-Raphaelite to the Swinging Sixties, the Paisley pattern has been synonymous with luxury fashion and on trend-textiles for over 200 years, but the history of its ‘Paisley’ origins might surprise you.| Harry & Margery Boswell Art Collection
2020 marks Visit Scotland’s Year of Coasts and Waters (YCW2020), a celebration of Scotland’s lochs, waterways, islands and coastlines. Exploring the inspiration of coasts and waters for over 6 decades in her work is celebrated colourist Barbara Rae, who hails herself from Crieff.| Harry & Margery Boswell Art Collection