First as tragedy, then as farce| www.watchingtogetheralone.com
Carpenter’s vision of womanhood isn’t swaddled in sepia toned sadness; it’s covered in bright pink confetti.| www.watchingtogetheralone.com
A shortcoming in the language of online video| www.watchingtogetheralone.com
On a popular type of TV merch| www.watchingtogetheralone.com
The Popularity of Shogun and The Bear Demonstrates How Audiences Crave Emotional Breadth| www.watchingtogetheralone.com
The craft of the journalism movie| www.watchingtogetheralone.com