First as tragedy, then as farce| www.watchingtogetheralone.com
On Wes Anderson and the unexplainable side of style| www.watchingtogetheralone.com
What the response to Sabrina Carpenter's album cover teaches us| www.watchingtogetheralone.com
Life after these messages| www.watchingtogetheralone.com
Why the best films about female robots flip the gender script| www.watchingtogetheralone.com
On the crass commercialism of video podcasts| www.watchingtogetheralone.com
Rethinking the narrative that TV increases loneliness| Together, Alone
Arielle and Gabe reflect on their favorite TV shows and films in 2024 and what they are most excited to watch in 2025| Together, Alone
Millennials Grew into Adulthood on Social Media. Now We’re (Sort of) Leaving it Behind| Together, Alone
Here are a few short notes on the experience| Together, Alone
An Interview with Greg Dember about pop culture's ongoing obsession with "ironesty"| Together, Alone
Carpenter’s vision of womanhood isn’t swaddled in sepia toned sadness; it’s covered in bright pink confetti.| Together, Alone
The celebrities are different here, but I still recognize them.| Together, Alone
We talk about his new book on LGBTQ+ films and figures, his work as a critic, and the joys of watching movies together or at home on TCM.| Together, Alone
When tuning in to shows like Mad Men and The White Lotus, we love to watch bad behavior and flaunt our good taste| www.watchingtogetheralone.com
In-flight, must be right| www.watchingtogetheralone.com
A shortcoming in the language of online video| www.watchingtogetheralone.com
The figure of the girlboss may haunt our discourse, but it's the hot mess heroine who is the real 21st century feminist icon| www.watchingtogetheralone.com
On a popular type of TV merch| www.watchingtogetheralone.com
The Popularity of Shogun and The Bear Demonstrates How Audiences Crave Emotional Breadth| www.watchingtogetheralone.com
The craft of the journalism movie| www.watchingtogetheralone.com