Let’s just say that I am recovering. It is a carefully sculpted onslaught, discretely spaced with only a few flaws, but an onslaught nonetheless. And I am recovering. It’s Pocahontas me…| Frames /sing
A few have expressed that they welcome a different incarnation of my blogging, so we we’ve begun a little experiment which is called Mitochondrial Vertigo. This blog for now is closed, but you are welcome to visit my new experiment. If any of the past posts do interest you feel free to comment and I’ll try to respond if I […]| Frames /sing
Hey, its been great. Heading to Thailand for a while, and in all likelihood this wonderful blog experiment is going dark. Its lived at least its first incarnation. Thank you for all the relationships I’ve developed over the brief time of my writing, those adversarial, and those inspirational (not mutually exclusive of each other). A […]| Frames /sing
A Comparison With The Fist of the White Lotus [Early concept art for Cameron’s Avatar] In following up this rhizome series on Cameron’s Avatar, which involves this series of posts: 1. Avatar: The Density of Being, 2. Avatarship and the New Man: Reading Ideology, Technology and Hope, 3.Two Vectors of Avatar’s Cinematic Achievement: Affect and Space Interface, 4.Is […]| Frames /sing
Ether Wave Propaganda as up a nice video of Schaffer on Latour, but the commentary on the question of agency is even more interesting. As EWP points out, the difference between Schaffer and Latour …| Frames /sing
The Kung fu, Wuxia and Opera in Avatar I was listening to a famous opera actress speak of her transition to film and her telling of how much control she had to bring her face and gestures under called to mind a connection between the operatic and Cameron’s film Avatar. As I argued in my […]| Frames /sing
Unwrapping Christmas Gifts This is my last post on “The Autonomy of Affect” and I expect to go onto the rest of the book. Near the end Massumi makes a fantastic point about the somewhat false problem of transcendence vs. immanence, something that he also perceptively links to our spatializaton of concepts, and to his own prescription […]| Frames /sing
Massumi writes, Affects are virtual synesthetic perspectives anchored in (functionally limited by) the actually existing, particular things the embody them. The autonomy of affect is its participation in the virtual. Its autonomy is its openness. Affect is autonomous to the degree to which it escapes confinement in the particular body whose vitality, or potential for interaction, it […]| Frames /sing
Box 3, Spool 5 has some commentary up in response to my own take on Avatar, emphasizing the contradictory nature of a big-budget Hollywood film and its proposed criticism of Capitalism. First thoug…| Frames /sing
I have to admit that the first essay that confronted me in Massumi’s book has really stymied me. The difficulty comes at several levels, not the least of which that I had read this essay befo…| Frames /sing
There were two primary technological achievements that guided the transmutive possibilities that mark out what made James Cameron’s Avatar special… innovations organized around aestheti…| Frames /sing