A dramatic rectification by Mercy Larkin in a play by Samuel Adamson based on Jack Maggs by Peter Carey in postcolonial response to Great Expectations by Charles Dickens and a 'greater truth' not told| Samuel Adamson: The Essence of the Thing
‘Who could be more unknown than an unknown actor?’| Samuel Adamson: The Essence of the Thing
Hello, I spoke recently to THESP about my writing room and writing habits, Ibsen, the significance of London’s Bush Theatre and Kiln Theatre, and my new play The Ballad of Hattie and James.| Samuel Adamson: The Essence of the Thing
Absolute honesty ...| Samuel Adamson: The Essence of the Thing
The world was full of infantile adults| Samuel Adamson: The Essence of the Thing
A convict, a writer-trickster, a quarantine| Samuel Adamson: The Essence of the Thing
It had all been experience, and that was a salutary thing| Samuel Adamson: The Essence of the Thing
Not so clear-cut| Samuel Adamson: The Essence of the Thing
I’m a playwright who writes about twentieth-century novels and other literary and theatrical matters.| Samuel Adamson: The Essence of the Thing
I was a different person now ...| Samuel Adamson: The Essence of the Thing
Peter Pan: downright sinister| Samuel Adamson: The Essence of the Thing
Be a good sport about it, darling| Samuel Adamson: The Essence of the Thing
An actor writes a play – Monogamy v. open relationships – Elyot’s voice – Critical homophobia – A remarkable letter – How to survive a plague| samueladamson.substack.com
‘It was like we were outside time’| samueladamson.substack.com
A triumphant second play – A play with time – Sex in the time of Aids – A unique Aids play – A serious comedy – Inexpressible loss| samueladamson.substack.com
