Wolfgang Tillmans uses photography and installation to consider knowledge and its circulation| 1854 Photography
Pérez Art Museum Miami explores the evolution of photography, from Marina Abramović and Zanele Muholi to Wolfgang Tillmans| 1854 Photography
Co-curator Fabiana Sotillo explains how the show has been structured and the importance of considering photography as a valid medium of fine-arts The post Pérez Art Museum Miami explores the evolution of photography, from Marina Abramović and Zanele Muholi to Wolfgang Tillmans appeared first on 1854 Photography.| 1854 Photography
The academic is based in the Department of War Studies at King’s College London but, she explains, her work centres around peace photography The post “We know about war photography, but what about peace photography?”: In conversation with Dr Tiffany Fairey appeared first on 1854 Photography.| 1854 Photography
The Church of Our Becoming is Yulia Mahr's challenge to the binary – here, the artist discusses the body of work as well as her upcoming show at Compton Verney The post At Dover Street Market, Paris, Greek philosophy and surveillance technology illustrate queer bodies appeared first on 1854 Photography.| 1854 Photography
A conversation with Luis Juárez, editor of LATAM’s first queer photography magazine, on its latest issue and collaboration with Nan Goldin The post Balam Magazine N11 pays tribute to archives as spaces of resistance, memory and collective identity appeared first on 1854 Photography.| 1854 Photography
Galerie Bene Taschen exhibit the works of Jamel Shabazz, Joseph Rodriguez and Gregory Bojorquez throughout the 1980s and 90s, documenting the genre’s rise to popularity| 1854 Photography
Mohammad Tariq intervenes in found imagery to reveal colonial complicity| 1854 Photography
In 2016, a chance meeting with a young Iranian couple led Youness Miloudi to make his first visit to Tehran. The encounter had, evidently, made a big impression. “To be honest, I didn’t know much about the country, especially about the daily life of Iranians,” he says.| 1854 Photography
Zak Waters traces the quiet decline of this fiercely passionate subculture — from its soaring past to its precarious present — capturing a vanishing way of life| 1854 Photography
1854 Media is a multi-award-winning digital media organisation with| 1854 Photography
“Tish believed that photography was an important form of visual communication that could stimulate discussions about real life situations and captured accurate records of the world we live in. She was trying to force people to look at the truth and learn from it,” explains Ella Murtha, the daughter of the documentary photographer. In honour of her mother’s memory, Ella has put together a new photobook, Youth Unemployment, which gathers Tish Murtha’s work photographing poverty-ridden c...| 1854 Photography
“It was also about reshaping that American icon: everyone thinks of the cowboy as this white American hero who has come to slay Native Americans. Actually the word cowboy is a racist term. It comes from when slave masters called all their slaves ‘boys’ and so the cow boy was the boy who looked after the cows and the horse boy was the boy who looked after the horses.” Cian Oba-Smith journeys to Philadelphia at a politically charged time during the 2016 U.S. election to meet with an inf...| 1854 Photography
Harry Lawson reimagines the classic Western ‘frontier’ against a North East English backdrop| 1854 Photography
1854 Media is a multi-award-winning digital media organisation with| 1854 Photography
Permit to See: A disposable camera raffle raising funds for Gaza| 1854 Photography
This conception of the NPG may still be widespread in the public mind, as even Martin Parr thought his work would be an ill-fit for a contemporary exhibition along these lines. “I never thought of myself as a portrait photographer,” he says, “and when I first met Phillip Prodger [NPG’s former head of photographs], I told him I had only a few celebrity portraits. I just put a lightbox together and sent them to him, though I was quite surprised at what I had.” Prodger, however, had ot...| 1854 Photography
A new museum in Rotterdam explores a century of global diaspora through photography in The Family of Migrants| 1854 Photography
1854 Media is a multi-award-winning digital media organisation with| 1854 Photography
1854 Media is a multi-award-winning digital media organisation with| 1854 Photography
1854 Media is a multi-award-winning digital media organisation with| 1854 Photography
1854 Media is a multi-award-winning digital media organisation with| 1854 Photography
1854 Media is a multi-award-winning digital media organisation with| 1854 Photography
Taking risks on your own terms: what Falmouth University’s online MA has to offer| 1854 Photography
Taking risks on your own terms: what Falmouth University’s online MA has to offer| 1854 Photography
1854 Media is a multi-award-winning digital media organisation with| 1854 Photography
A new museum in Rotterdam explores a century of global diaspora through photography in The Family of Migrants| 1854 Photography
Les Rencontres d’Arles returns with an expanse of shows across territories| 1854 Photography
Belfast Photo Festival returns to explore place and personhood| 1854 Photography
With a simple glass device, the London-based Pakistani-Bengali artist turns archival photo books into sinister revelations on British colonial histories The post Mohammad Tariq intervenes in found imagery to reveal colonial complicity appeared first on 1854 Photography.| 1854 Photography
The New York gallery welcomes its artists to co-curate an exhibition marking three decades of work The post Yancey Richardson marks 30 years with artist-led anniversary exhibition appeared first on 1854 Photography.| 1854 Photography
Dreams on the Dying Stone charts migration, labour and agriculture in a country which is grappling with a politically polarised mood The post Into Imperial Valley – where “water is like gold” – with Scott Rossi appeared first on 1854 Photography.| 1854 Photography
Nimie Li’s graduate project about his mother explores his Chinese-British adolescence and poses questions around how movement effects intimacy The post “I’m tethered to my mother, and she’s tethered to my queerness”: Nimie Li charts migration, sexuality and family appeared first on 1854 Photography.| 1854 Photography
The world’s biggest photography festival, Arles largely avoids urgent politics, but includes many interesting exhibitions around images and how we use them The post Our Top Ten from Arles appeared first on 1854 Photography.| 1854 Photography
Brought up in apartheid-era South Africa, Adam Broomberg’s art has always been political and remains so in the Berlin home studio in which he lives and works| 1854 Photography
A Thousand Small Stories: The first retrospective of Eileen Perrier’s expansive and humanist work| 1854 Photography
Wellcome Photography Prize 2025: Images that explore health, science and survival| 1854 Photography
The 2025 Wellcome Photography Prize highlights global health challenges through powerful images spanning domestic abuse, climate migration and microscopic disease| 1854 Photography
In The Binding Tide, the artist shifts the focus away from the military manufacturing economies of the area, instead shining a light on its local community and landscapes| 1854 Photography
From themes of mythologised memories and ancestral resistance to decolonial archives, this year’s edition of the world’s biggest photography festival centres global narratives| 1854 Photography
Celebrating the launch of its 500th publication, the publisher specialises in making photobooks by Latin American and Spanish image-makers, and much more| 1854 Photography
Started as a vehicle for his own work, Arinzechukwu Patrick’s Random Photo Journal has grown into a lively magazine on Africa and beyond| 1854 Photography
‘Om (Mother) opens for exhibition at FOMU, alongside a book by The Eriksay Connection – Barbara Debeuckelaere tells BJP about the body of work| 1854 Photography
“This is an ambitious, multilayered project,” says Nathalie Herschdorfer, director of Photo Elysée and Jury President of the Lausanne museum’s biennial prize for a mid-career photographer, commenting on the latest recipient, Hannah Darabi’s Why Don’t You Dance?| 1854 Photography
North North South is the Iranian American’s first photo book, published by Gost Books, showing a less glamorous side of the sprawling metropolis| 1854 Photography
The photographer, a One to Watch 2025, shoots her community in black and white, inspired by ideas of exile and making mistakes| 1854 Photography
PhotoVogue Festival 2025 reminds us where we belong| 1854 Photography
Discover this year’s World Press Photo winners| 1854 Photography
Vivian Wan’s family cut out memories from their archives; she had to fill the gaps in herself| 1854 Photography
Come Together: Peckham 24 returns for its ninth year| 1854 Photography
Theodoros Gennitsakis marries Ancient Greek mythology with contemporary street subcultures| 1854 Photography
Vivian Wan’s family cut out memories from their archives; she had to fill the gaps in herself| 1854 Photography
Varun Aditya, on phone photography, relinquishing control and staying inspired| 1854 Photography
“I am enough and whole as I am”: Bea Dero casts hybridity onto the streets of London| 1854 Photography
Belfast Photo Festival returns to explore place and personhood| 1854 Photography
Now in its fifteenth year, the UK and Ireland’s largest photographic festival is back. Belfast Photo Festival’s theme ‘Biosphere’ asks what we owe the land and what we owe each other| 1854 Photography
Working in industrial spaces for 10 years, and fascinated by the contemporary experience of images, Felicity Hammond makes installations combining imagery and sculpture| 1854 Photography
The photographer experiments with form in Daa.era whilst coming to understand mourning as a form of homecoming| 1854 Photography
Set up in 1990, the space remains committed to image-making and image-makers, and now has a handsome new London home| 1854 Photography
Hannah Darabi is the winner of the 2025 Prix Elysée with her powerful project ‘Why Don’t You Dance?'| 1854 Photography
When the Fog Whispers explores the countryside of Saudi Arabia through a photographic commission prize| 1854 Photography
Abdulhamid Kircher and Diana Markosian explore their latest photo books in an in-depth conversation with Aperture and BJP| 1854 Photography
Fantasy Island is a collective publication from both Northern Ireland and the Republic that addresses some of the longest persisting ideas around the nation| 1854 Photography
Sophie Green’s romantic vision of a lived Britain| 1854 Photography
Nothing Lasts Forever: a long overdue retrospective on working-class Britain arrives in London| 1854 Photography
Nothing Lasts Forever: a long overdue retrospective on working-class Britain arrives in London| 1854 Photography
Sophie Green’s romantic vision of a lived Britain| 1854 Photography
Nadia Lee Cohen and Martin Parr revive 90s Britain in a collaborative photo book| 1854 Photography
Welcome to Photofusion, a legacy photo co-operative in Brixton| 1854 Photography
Nothing Lasts Forever: a long overdue retrospective on working-class Britain arrives in London| 1854 Photography
Sophie Green’s romantic vision of a lived Britain| 1854 Photography
Introducing the 2024 Female in Focus award winners| 1854 Photography
The lush mountains of Asir as seen through the lens of five SWANA photographers| 1854 Photography
“Melancholy and instinct”: Abeer Khan draws our attention to traffickng, pollution and grief in India| 1854 Photography
Introducing the 2024 Female in Focus award winners| 1854 Photography
Welcome to Photofusion, a legacy photo co-operative in Brixton| 1854 Photography
Vivian Wan’s family cut out memories from their archives; she had to fill the gaps in herself| 1854 Photography
Female in Focus is an award designed to discover, promote and reward the remarkable work of women photographers.| 1854 Photography
“Melancholy and instinct”: Abeer Khan draws our attention to traffickng, pollution and grief in India| 1854 Photography
The artist tells BJP why returning to Autograph Gallery – the first team to commission her – to exhibit the show feels so right| 1854 Photography
Today, Tomorrow is playful, collaborative approach to the “precious” photo album which the Chinese-American photographer rebuilt to heal her ruptured roots| 1854 Photography
His photographs of Birmingham’s late-1960s housing crisis transformed how the urban poor were visualised in the UK. We catch up with the veteran documentarian| 1854 Photography
Tangerine Dreams is an honest look at the many lives across the British isles and the different communities who call it home – the same communities affected by the current hostile environment| 1854 Photography
Zak Waters traces the quiet decline of this fiercely passionate subculture — from its soaring past to its precarious present — capturing a vanishing way of life| 1854 Photography
Born in Togo, the artist began making images while seeking asylum and a residency visa in Belgium, creating a series of self-portraits that refuse erasure and the documentation of bureaucracy| 1854 Photography
With a huge exhibition in the Pompidou Centre’s vacated Public Information Library, the artist also asks how we might consider the present to see into the future| 1854 Photography
The Dutch-born Moluccan artist is interested in how class, rather than race, creates solidarity among immigrant communities through tender images of young men in Europe| 1854 Photography
The founder of PRESSURE presents glossy fashion photography with the texture of everyday life in his zine ΧΑΟΣ| 1854 Photography
Celebrated photographer Sebastião Salgado has died after more than 50 years of committed documentary work; here BJP draws on past interviews to give an insight into his approach| 1854 Photography
Making Way: Lesbians Out Front is reissued by Anthology Editions to honour the fight for lesbian rights through 108 photographs of history| 1854 Photography
Julie Bullard, inspired by Essex glam, pays homage to Cohen’s childhood babysitter, shot by her own photographic hero| 1854 Photography
A mainstay in the UK photographic calendar, the annual festival returns to bring together artists paying homage to community in times of conflict| 1854 Photography
The photographer reflects on his journey from street musician to photographer, the emotional power of fog, and his latest project The Black Rainbow| 1854 Photography
The third edition of the festival in Doha, Qatar is anchored by As I Lay Between Two Seas, which depicts identity as a fluid process| 1854 Photography
London Lives gathers work by over 30 artists to celebrate and emulate the messy richness of one of the most multicultural cities on earth, during the Photo London fair. Curator Francis Hodgson explains more| 1854 Photography
Artist-run collective Better Entry brings together six artists from across the art and fashion world, each given a film camera to capture personal narratives| 1854 Photography
The photographer tells BJP about Beeton Grove, a tender photobook documenting the rhythms of a neighbourhood, published by Bluecoat Press| 1854 Photography
After publishing Father with Aperture and exhibitions at The National Portrait Gallery and Foam, the Armenian American photographer looks ahead to her shows in Berlin and at Recontres D’Arles| 1854 Photography
Set up in 1984, the Turner Prize has been awarded to a photographer only once - but Rene Matić has won a nomination aged just 27, for a solo show featuring stacked images, installations, and sound art| 1854 Photography
Fotografia Europea is a northern Italian festival showcasing societal shifts via photography, with series hosted in an array of exquisite religious and secular edifices in Reggio Emilia| 1854 Photography
