When I create a rug, I’m not making one version of something. I’m creating a field of realities—a world where many things exist at once, and your observation brings one to life.| Merida
Examining the ceramic vases, Double Cone and Triple Circle by Jean and Jacqueline Lerat, I sense a refined rawness and elegance in the couple’s approach to material and form. Each piece conveys a story rooted in a specific time and place. From the distinct colors and textures derived from the clay used in La Bourne, France, to the unified shape language that emerges from the artist’s collaboration, Double Cone and Triple Circle is more than meets the eye.| Merida
Color, for me, is never just about hue. It is memory. It is emotion. It is a field of meaning that sometimes I don’t even recognize until I see it finished.| Merida
When people ask why Merida Studio is based in Fall River, Massachusetts, we often begin with history. This city—perched along the Taunton River and etched into the fabric of American textile production—was once known as the “Spindle City,” a global capital of cotton milling in the 19th and early 20th centuries. The mills are quieter now, many repurposed or left in ruin, but the legacy of making endures. And for us, it matters deeply that we are part of this lineage—carrying forward ...| Merida
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At Merida Studio, we believe that textiles are not simply surfaces to walk on or look at—they are expressions of story, spirit, and human connection. Each rug is woven as a unique, singular creation in our workshop in Fall River, Massachusetts.| Merida