He could be writing about a work of art or art itself. “I don’t have any answers yet,” and how could he? “The questions are too big.” But no, Aidan Ryan is writing about his uncle and aunt, Andrew Topolski and Cindy Suffoletto, and their life in art, in I Am Here You Are Not […]| HaberArts: New York Art Reviews
What makes a photograph worth keeping? Is it something special—that special place, that special person, that special time? True, the story goes, some collectors disdain photography as something anyone can do and too often does, before posting it online. Others, though, know just where to point and what to shoot on their way to the […]| HaberArts: New York Art Reviews
Sheida Soleimani was born the same year as an emerging nation. Neither event must have seemed auspicious. Iran declared itself an Islamic republic after taking Americans hostage and precipitating a global crisis. It had Soleimani’s parents among the many fearing for their lives. She spent her infancy in uncertainty and fear before the family’s escape […]| HaberArts: New York Art Reviews
Artists have long delighted in flowers. It puts to the test their powers of observation and commitment to nature. It brings out the possibilities in media such as watercolor, with its fluid line and still more fluid color. All well and good, but Hilma af Klint wanted more. She asked “what stands behind the flowers.” […]| HaberArts: New York Art Reviews
Reviews of New York City art galleries and museums, from the Renaissance and art history to modern and contemporary art| HaberArts: New York Art Reviews
Review by John Haber of 'Girl with a Pearl Earring', a film directed by Peter Webber, with an essay on Jan Vermeer, Delft, his possible Catholicism, and a painter's world-view| www.haberarts.com
Review by John Haber of Jan Vermeer's 'Milkmaid' at the Metropolitan Museum of Art and the Chadwicks at Winkleman gallery, with a memorial to Walter Liedtke, curator of European paintings at the Met| www.haberarts.com
Review by John Haber of 'Masterpieces from the Dulwich Picture Gallery' at the Frick Collection, including 'Girl at a Window' by Rembrandt, and 'Rembrandt at Work: The Great Self-Portrait from Kenwood House' at the Metropolitan Museum of Art| www.haberarts.com
Vermeer's reality and a city's dreams: review by John Haber of Vermeer and the Delft School at New York's Metropolitan Museum of Art| www.haberarts.com
Reviews by John Haber of galleries and museum shows by David Salle, Dosso Dossi, and Julio Sarmento| www.haberarts.com
Reviews of New York City art galleries and museums, from the Renaissance and art history to modern and contemporary art| www.haberarts.com
To pick up from last time on weaving and abstraction, that opening tells the story pretty well all by itself. Sophie Taeuber-Arp was a painter, puppeteer, and performance artist, while Sonia Delaunay was a dressmaker as well. Throw in “personal uniforms” for Andrea Zittel, and painting has become design for art and life. The exhibition […]| HaberArts: New York Art Reviews
Reviews of New York City art galleries and museums, from the Renaissance and art history to modern and contemporary art| HaberArts: New York Art Reviews
Review by John Haber of the recent attribution of 'Young Woman Seated at the Virginals' to Jan Vermeer| www.haberarts.com
Review by John Haber of 'Vermeer's Love Letters' at the Frick Collection and 'Mysteries of the Rectangle' by Siri Hustvedt| www.haberarts.com
Vermeer's silence and sensuality: review by John Haber of Jan Vermeer at Washington's National Gallery| www.haberarts.com
Jan Vermeer and the death of the symbol, from reviews by John Haber of New York City art galleries and museums| www.haberarts.com
Review by John Haber of the Skylight Project at the Metropolitan Museum of Art and Pieter Bruegel| www.haberarts.com
Review by John Haber of 'Vermeer, Rembrandt, and Hals: Masterpieces of Dutch Painting from the Mauritshuis' at the Frick Collection, including 'The Goldfinch' by Carel Fabritius and 'Girl with a Pearl Earring' by Jan Vermeer| www.haberarts.com
Review by John Haber of the expanded Frick Collection| www.haberarts.com
Reviews of New York City art galleries and museums, from the Renaissance and art history to modern and contemporary art| HaberArts: New York Art Reviews
Review by John Haber of 'A Billion Dollar Dream: The 1964 World's Fair' at the Queens Museum and 'Piroutte' in modern design at the Museum of Modern Art| www.haberarts.com
Review by John Haber of Knobkerry designs at SculptureCenter and Virgil Abloh at the Brooklyn Museum, Product Photography in 'The Real Thing' and literary posters at the Metropolitan Museum of Art| www.haberarts.com
Review by John Haber of 'The Value of Good Design' and 'Broken Nature' at the Museum of Modern Art| www.haberarts.com
Reviews of New York City art galleries and museums, from the Renaissance and art history to modern and contemporary art| HaberArts: New York Art Reviews
Reviews of New York City art galleries and museums, from the Renaissance and art history to modern and contemporary art| HaberArts: New York Art Reviews
Review by John Haber of 'Post-Analog Painting' at The Hole, Clare Grill at Zieher Smith and Horton, Kes Zapkus at William Holman, Iman Raad at Sargent's Daughters, and Robert Kushner at D. C. Moore| www.haberarts.com
Review by John Haber of Richard Van Buren at Garth Greenan and abstract art in Tribeca, including Iva Gueorguieva at Derek Eller, Sarah Blaustein at Hesse Flatow, Robert Janitz at Canada, and Lena Henke at Bortolami| www.haberarts.com
Reviews by John Haber of New York City art galleries and museums| www.haberarts.com
Reviews by John Haber of New York City art galleries and museums| www.haberarts.com
Review by John Haber of Robert Smithson at the Whitney Museum, with thoughts on 'Spiral Jetty,' Minimalism, earthworks, site-specific art, and outdoor sculpture brought indoors, and of 'Floating Island', the realization of an earthwork by Robert Smithson, in the Hudson River, in the East River, and near Hudson River Park, New York City, by Nancy Holt, Minetta Brook arts organization, the Whitney Museum of American Art, and James Cohan gallery| www.haberarts.com
Reviews by John Haber of Sol Lewitt at the Whitney Museum of American Art| www.haberarts.com
Review by John Haber of abstraction and Pattern and Decoration by Valerie Jaudon at Von Lintel and D. C. Moore, Peter Young at MoMA PS1, and John McAllister at James Fuentes| www.haberarts.com
Review by John Haber of Frank Stella at the Whitney Museum of American Art and at Paul Kasmin| www.haberarts.com
Reviews of New York City art galleries and museums, from the Renaissance and art history to modern and contemporary art| HaberArts: New York Art Reviews
Reviews of New York City art galleries and museums, from the Renaissance and art history to modern and contemporary art| HaberArts: New York Art Reviews
Reviews of New York City art galleries and museums, from the Renaissance and art history to modern and contemporary art| www.haberarts.com
Reviews of New York City art galleries and museums, from the Renaissance and art history to modern and contemporary art| HaberArts: New York Art Reviews
Reviews of New York City art galleries and museums, from the Renaissance and art history to modern and contemporary art| www.haberarts.com
Reviews of New York City art galleries and museums, from the Renaissance and art history to modern and contemporary art| HaberArts: New York Art Reviews
Reviews of New York City art galleries and museums, from the Renaissance and art history to modern and contemporary art| www.haberarts.com
Review by John Haber of abstract art by Romare Bearden at D. C. Moore and 'The Block' at the Metropolitan Museum of Art| www.haberarts.com