Project: [in]Transition Link to Resource: [in]Transition 7.1: Spring 2020| MediaCommons
Project: [in]Transition Link to Resource: [in]Transition 7.2: Fall 2020| MediaCommons
Project: In Media Res Description: September 28-October 2 In Media Res Theme Week: Tik Tok Link to Resource: In Media Res: Tik Tok Theme Week Large image: Publication Status: Published| MediaCommons
Project: In Media Res Description: Be Our Guest! Link to Resource: Disney Live-Action Remakes Large image: Publication Status: Published| MediaCommons
Project: In Media Res Link to Resource: Revisiting Media Representations of Motherhood Publication Status: Published| MediaCommons
Project: [in]Transition Link to Resource: [in]Transition 6.1: Spring 2019 Large image:| MediaCommons
Project: [in]Transition Link to Resource: [in]Transition 6.2: Critical Audiography Large image:| MediaCommons
Project: Alt-Ac Description: by Nick Sousanis Link to Resource: Why not? A partial postmortem on creating a dissertation in comics form| MediaCommons
Project: [in]Transition Description: by Sean Redmond Link to Resource: The Ear That Dreams: Eye Tracking Sound in the Moving Image| MediaCommons
by Debra Ferreday| mediacommons.org
Having worked on Peter Wollen’s archive at the British Film Institute, when I think of his legacy my thoughts tend to stray from his seminal works and veer towards the eclecticism of the margins. Much like in Peter Wollen Reads the US Press, where he makes connections between seemingly unrelated stories and reports, a capacity to draw together disparate fragments and throw them into new and unexpected relations is a key feature of Peter’s archive.[1]| mediacommons.org