Telluride Film Festival Report – Day 3 – 'The History of Sound' and 'Bugonia' - Script Magazine
As sometimes happens, actually often due to the “only in Telluride” magic, you find a high point and a low point on the same day.| Script Magazine
It doesn’t feel like the end but rather the closing of a chapter. 'Downton Abbey: The Grand Finale' gently and affirmatively shows the familial bond between the Crawleys and staff. The post ‘Downton Abbey: The Grand Finale’ Review appeared first on Script Magazine.| Script Magazine
The big films are 'Superman,' 'Jurassic World: Rebirth,' the medium one is 'The Naked Gun,' and the little one is 'Jane Austen Wrecked My Life.' The post UNDERSTANDING SCREENWRITING: Bigs and Mediums and Littles appeared first on Script Magazine.| Script Magazine
Actress and writer, Bella Zoe Martinez discusses how she has put her creative talents to use to flip the script on Autistic characters, and those working behind the scenes. The post Filmmaker Is Much More than Her Disability appeared first on Script Magazine.| Script Magazine
The last day of the Telluride Film Festival came down to one last film, 'Jay Kelly'. The post 2025 Telluride Film Festival Report – Day 4 – ‘Jay Kelly’ and Conclusions appeared first on Script Magazine.| Script Magazine
As sometimes happens, actually often due to the “only in Telluride” magic, you find a high point and a low point on the same day.| Script Magazine
Day two at Telluride Film Festival includes 'A Private Life' with Jodie Foster, 'Tuner' and Werner Herzog's 'Ghost Elephants'. The post 2025 Telluride Film Festival Report – Day 2 – ‘A Private Life,’ ‘Tuner,’ ‘Ghost Elephants’ appeared first on Script Magazine.| Script Magazine
Attending the Telluride Film Festival, there is one thing for certain: you should always make your plans in pencil.| Script Magazine
Clinging to a screenplay that won’t let go? Your passion project may be holding you back. Barri Evins reveals how to get unstuck, get creative and get writing!| Script Magazine
As with all previous years, the field is packed with highly anticipated world premieres and restored classics, as well as surprises and completely unexpected gems.| Script Magazine
Who knows what the Telluride Film Festival has to offer? One thing that will never change - great filmmakers will be making great films. The post Telluride Film Festival Report – The Storm Before the Calm? appeared first on Script Magazine.| Script Magazine
How do you approach the material with enough objectivity to give it a fair review?| Script Magazine
The audience – not the ‘industry’ – matters most. Your ability to get them to laugh, cry, be scared, angry, whatever – is the real key here.| Script Magazine
Do you want to improve your creativity? Develop and encourage your inner artist and embrace constraints as you would a trusted friend. That fresh attitude may free you to be the best writer you can be.| Script Magazine
Astonishingly economical, even when it feels like it could be meandering, and has dialogue sharper than a tack that never feels like it’s talking down to the audience.| Script Magazine
Alison Schapker talks about the development and adaptation process, character development, her emotional connection to the story and characters, women’s roles in the Dune universe, navigating a world full of truth and lies, exploring sexuality in storytelling, and more. Plus, she offers great advice on adapting existing IP with a strong fanbase.| Script Magazine
Jon Spaihts sat down to talk with Script about how he and Denis Villeneuve tackled the adaptation and what their guiding lights during the process were.| Script Magazine
Bill Kelly and Michael Seitzman give tips on elevating tension, characters and conflict.| Script Magazine
Emmy-nominated costume designer Bojana Nikitovic discusses her experience as a costume designer, highlighting the challenges and creative processes involved.| Script Magazine
Enjoy SU Courses Online!Writing classes online for every skill level of writer.| Script Magazine
'Snow White' screenwriter Erin Cressida Wilson talks about putting a new spin on an old classic.| Script Magazine
