For the first post on lofi hip hop before and during COVID-19, please see here.| Dr Steven Gamble
I’m delighted to announce that I have been awarded the 2021 MusicID Digital Research Fellowship. In MusicID’s news post, founder and CEO Roger Press is quoted as saying ‘The Committee thought Dr Gamble’s submission was targeted, interesting, showed a clear methodology, and would make the best use of the MusicID platform. We also appreciated that Dr ... Read more| Dr Steven Gamble
This may form part of the introduction to a forthcoming monograph, provisionally titled Digital Flows: Internet-Based Hip Hop Music and Culture. Hip-hop artists get a bad rap for writing about the same old things. Often, criticism is levelled at lyrics associated with materialism, consumerism, misogyny, drugs, and violence. Although these themes – and the racial,…| Dr Steven Gamble
This is the script of a paper I gave at the Challenge and Change in Popular Music IASPM UK/I Conference, hosted by the University of Liverpool on 31 August 2022. It is a more concise version of my longer data analysis in two parts on lofi hip hop during COVID-19 (part 1, part 2). Introduction…| Dr Steven Gamble
This is the script of a paper I gave at the Climates of Popular Music: IASPM 2022 Conference, hosted online by Daegu University on 9 July 2022. It makes reference to the research published in my data-driven analysis of annual top 100 albums, Hip hop's hold over Top 100 albums, 2000–2020. Introduction When, in 2016,…| Dr Steven Gamble
This is the script of an invited research seminar I gave at the University of Bristol on 1 February 2022. In April 2020, the video game platform Fortnite announced a special in-game event called Astronomical. Billed as a ‘virtual concert’ featuring hip hop artist Travis Scott, the event series broke records, reaching a global audience…| Dr Steven Gamble
New publication announcement! My coauthor Kai Arne Hansen and I wrote a research article on Brockhampton's media practices during the release of the Saturation album trilogy, which raise questions about digitalisation, social inclusion, and the democratisation of culture. The article is part of a special issue of Popular Music and Society (44.5) on music, digitalisation,…| Dr Steven Gamble
The story of hip hop’s commercial success in the 21st century is one of a steady decline followed by a striking ascent. At the turn of the millennium, hip hop held a major presence on the charts, but never accounted for more than a sixth of the best-selling albums. By the end of 2020, hip…| Dr Steven Gamble
This is the script of a paper I gave at the conference Information Overload? Music Studies in the Age of Abundance, hosted online by the University of Birmingham on 8 September 2021. For more info, see the UKRI AHRC Early Career Leadership Fellowship Music and the Internet: Towards a digital sociology of music. Introduction Scholars…| Dr Steven Gamble
My book, How Music Empowers: Listening to Modern Rap and Metal, is published today by Routledge (Taylor & Francis). I’m very grateful to everyone who offered advice or support during the writing process. The pricing – especially the hardback – is steep indeed in line with all new Routledge texts, although a paperback will follow…| stevengamble.com
