The story of a 1928 lifeboat tragedy, as memorialised in the windows of an East Sussex church.| Superscript
A book about how the natural world can entrance, comfort and sustain through chronic pain.| Superscript
James Rebanks finds himself in a place entirely run by women. An astonishing experience in an entirely new world, for him and for the reader too.| Superscript
A short review of Uncommon Ground, Rethinking our relationship with the countryside, by Patrick Galbraith Travelling the length and breadth of the country, Patrick Galbraith goes where nature writers don’t. Then again, he hates to be called one. Rather, he is writer about the countryside. Led by a journalistic instinct as keen as the nose […]| Superscript
Nothing lasts forever. A piece all about transience for Country Life, published 7 May.| Superscript
A three-mile walk that uncovers the secret views of the eighteenth century and ponders the legacy of Valentine Morris.| Superscript
What day do birds choose their mates? And how do they do it? With help from Chaucer.| Superscript
They have stood in lowly cattlesheds, they have shaped our agricultural history, and today they still help to cultivate half of the world's crops, but what exactly IS an ox?| Superscript
Finding nature in one of the most artificial artforms, classical ballet, for Country Life magazine.| Superscript
It’s just a slip of a stream, sixteen miles from clean spring to silt-dulled lake-end.| Superscript