The five artists selected for the prize explore different forms of slow violence: rampant mechanisation, oppression of trans bodies, legacy of colonisation, racial discrimination and rising social …| We Make Money Not Art
Curated from new developments in synthetic biology, artificial intelligence, robotics, engineering, biology, and art, this survey demonstrates the myriad ways in which our perception of what it means to be alive has dramatically changed. Where do we draw the new lines?| We Make Money Not Art
Big Tech monoculture promotes consumerism while obfuscating its social and ecological impact. What does that mean for artists working with digital media ?| We Make Money Not Art
The contributors of the magazine convoke Indigenous perspectives from lands that have been exploited for the nuclear bombings of Hiroshima and Nagasaki| We Make Money Not Art
This year, the Triennale di Milano examines the global issue of inequality through an impressive inquiry encompassing architecture, design, technology, bioscience and data| We Make Money Not Art
Giovanni Aloi delves into the history and representation of plants in art, advocates for a change in our relationship with the botanical world, and presents an alternative history of art that foreg…| We Make Money Not Art
Timeline Shift. Challenging Western concepts of time, productivity and AI functions| We Make Money Not Art
Through a deep reflection on artificial intelligence, the exhibited projects challenge the Western conception of time, as linear, progressive and productivity-oriented, offering instead a plural, synchronic and ritualistic reinterpretation| We Make Money Not Art
A liberal might argue the crisis is the result of individual consumer behavior, whereas a libertarian sees an opportunity for geoengineering markets. A conspiracist might not believe the climate is at risk, whereas an ecofascist sees a chance to double down on the argument about who has the superior racial right to survive extinction....| We Make Money Not Art
The exhibition explores war in all its dimensions, cycles and emotional impacts. The artworks presented are distributed over what the curators have identified as the five stages that define every c…| We Make Money Not Art
The Latvian Pavilion at the International Architecture Exhibition in Venice asks: What does it mean to live on NATO’s external border in times of geopolitical conflict?| We Make Money Not Art
