A modern romance set against the rapidly changing landscape of Brooklyn, “Love, Brooklyn” follows a writer (André Holland, “Moonlight”) as he navigates complicated relationships with his ex…| Cinema Femme
Life of the mind: many of the films on view through the festival‘s virtual portal ranged from pallid to dismal, but Khalil Joseph’s BLKNWS: Terms & Conditions was the thrilling exception| Film Comment
Case closed: three nonfiction filmmakers from the Sundance 2025 lineup discuss how their works question the expectations of true crime| Film Comment
Look and see: a number of films this in year’s selection—including Atropia, The Stringer, and others—grappled with the ethics of making images of war, violence, and suffering| Film Comment
A day in the life: Vadim Rizov and Ruun Nuur join to discuss festival selections Peter Hujar's Day, Predators, Mad Bills to Pay (or Destiny, dile que no soy malo), and more| Film Comment
Virtual oceans: the great French actress discusses her latest role, a portrait of a woman facing a terminal diagnosis with a quiet self-assuredness| Film Comment
Hard questions: the documentarian discusses his new Sundance selection, a profound exploration of the ethical implications of medically assisted suicide for disabled people| Film Comment
Built to last: since its beginnings, the festival has navigated a perpetual tension between commercial considerations and its dedication to independent filmmaking| Film Comment
Kicking and screaming: critics Lovia Gyarkye, Alana Pockros, and Lisa Wong Macabasco join to discuss BLKNWS: Terms & Conditions, If I Had Legs I’d Kick You, Bunnylovr, and more| Film Comment
Listen closely: critics Robert Daniels and Tim Grierson debate early festival selections Rabbit Trap, Marlee Matlin: Not Alone Anymore, Twinless, and more| Film Comment
Stand!: our Sundance coverage kicks off with Maddie Whittle, Ruun Nuur, and Vadim Rizov joining to discuss SLY LIVES! (aka the Burden of Black Genius), Pee-wee as Himself, All That’s Left of You, and more| Film Comment
Rotten Tomatoes is proud to support this essential program for an eighth consecutive year. Applications are due August 18 at 6pm ET.| Articles – Rotten Tomatoes
Interview: 'East of Wall' filmmaker Kate Beecroft on how she found Tabatha Zimiga and an incredible story.| IndieWire
An unassuming film, A Real Pain will stay with those who carry their family's trauma buried underneath their own weeping.| But Why Tho?
Handling the Undead invests in how terrifying grief can be through the lens of the zombie genre, posing important questions in the process.| But Why Tho?
‘Mad Bills To Pay’ is a modern dose of social realism.| Film Daze
While Canon dominates the consumer and professional camera markets, its absence from the 2025 Sundance Film Festival's camera list.| Y.M.Cinema Magazine
In The Summers is a painfully perfect film about the anguish loving your family can cause and the way our memories change as we age.| But Why Tho?
Recovery is day by day. You're never cured. And like Rona's sponsor says in The Outrun, it doesn't get easy. It just gets less hard.| But Why Tho?
The way Dìdi places you firmly in 2008 is uncanny, but the way it tells that history just slightly differently than how it probably was is perfect.| But Why Tho?
“Minari” is a happy smile of a movie about a Korean-American family (mom, dad, young boy and girl) moving to Arkansas in the 1980s to try farming. There’s potential for a lot of major drama — the boy has a heart murmur; grandma comes to live with them; how do Arkansans feel about foreigners? — […]| EricDSnider.com
We know that Alan Ball, writer of “American Beauty” and creator of “Six Feet Under,” is interested in repressed homosexuality and death. Both are front and center in Ball’s “Uncle Frank,” set in North Carolina in the 1970s with Paul Bettany as the title character, an NYU college professor who is not out to his […]| EricDSnider.com
“Possessor” is set in a world where it is possible to transfer your consciousness into someone else’s body and take over that person — “possess” them, if you will. This is achieved via medical implants in the head, and the person being possessed usually has not consented to it. That this comes from writer-director Brandon […]| EricDSnider.com
