In my poems, I tend to be drawn to moments where things that we perceive are just on the verge of perceptibility—a presence leaning toward absence, an absence coalescing into perhaps a presence. The poem, as an artform made of words, becomes the embodiment and articulation of that in-betweenness, instability, disequilibrium, imbalance. With a bit of language, I attempt to give shape to the ineffable, that which is beyond words.
