Utilitarian reading (AI) considers words as symbols referring only to other symbols like them. Words are therefore interchangeable, fungible—place holders for each other. AI obligingly sorts the symbols so as to condense and summarize them. By contrast, close reading offers not an answer but a presence. Words are not fungible tokens but embodiments of a speaker’s voice. In utilitarian reading we SEE the words. In close reading we HEAR them, and behind those spoken words someone speaking t...| Slant Books
Do you know Wallace Stevens’s poem, with its strange title, “A Postcard from the Volcano”? It’s included in Ideas of Order, published first in a limited edition in July 1935 and then in a trade edition in October 1936. I reread it recently, and I was spellbound by its first stanza, macabre and sweet, the beginning of a story about memory and imagination. The post Where is Wallace Stevens?: Close Reading “A Postcard from the Volcano” appeared first on Slant Books.| Slant Books
It’s no longer the student who’s shocked by the unwelcome demands made on him or her by the first writing assignment. It’s the teacher who’s shocked, this time by the question of what’s to be done with the result, since it wasn’t the student who wrote the paper, but a computer. But if today’s English teachers are shocked at getting “perfect themes” because AI is writing them, why are they giving assignments for which “perfect themes” are the correct responses?| Slant Books
Well, Rick B. from the United States, it seems that you did not like the Norwegian director Joachim Trier’s newest film The Worst Person in The World very much. Your Amazon review is quite short, and pretty rough. You gave it one star. The title of your review is “tedious, annoying people talking too much.” And then you followed that up with two words and an exclamation mark: “It sucks!” I did like the film and so I found your annoyance annoying.| Slant Books
A student showed me an article about a new development project in the Saudi Arabian desert. It is called The Line. The Line is the brainchild of Saudi prince Mohammed bin Salman, who created something called NEOM, which I suppose is some sort of company, or brand. Does it even matter? Many rich and powerful people got together, is the point. They, in turn, assembled a group of experts, as such things happen.| Slant Books
It is startling and more than a little amusing to finally realize, or to have pointed out to you, as happened to me, that the word ‘dunce’, a not exactly au courant but certainly still, I think, recognizable word that basically means stupid, one who wears the dunce cap, that this word is, actually, a shortened form of saying that a person is like Duns Scotus, the medieval scholastic philosopher.| Slant Books
Morgan Meis, one of Close Reading’s bloggers, has written a book that forces me to ask, as few books have done in a long while, not only who I am but how I am to be. A book that puts me on the spot about what it means that I’m a mortal being, destined for death.| Slant Books
I am describing Gene Wolfe’s magnum opus, the epic ‘science-fantasy’ known altogether as the Solar Cycle, for the series which comprise it are called The Book of the New Sun (with its sequel The Urth of the New Sun), The Book of the Long Sun, and The Book of the Short Sun. Of these, I have read only the first four novels (the top two volumes of my pile), the Book of the New Sun.| Slant Books
Two books published in 2022, Metaphysical Animals: How Four Women Brought Philosophy Back to Life, by Clare Mac Cumhaill and Rachel Wiseman, and The Women Are Up to Something: How Elizabeth Anscombe, Phillipa Foot, Mary Midgley, and Iris Murdoch Revolutionized Ethics, by Benjamin Lipscomb, finally give these brilliant minds their due by chronicling their friendships, conversations, disagreements, achievements, and personal affairs.| Slant Books
Preparatory to discussing Cormac McCarthy’s new fiction, a duology comprising The Passenger and Stella Maris, with Greg Wolfe via Zoom on January 25th, I’d like to offer a few ways into the books. The surname of the main characters, siblings Alicia and Bobby, is Western. Novelists do not name characters carelessly. Bobby and Alicia are the children, born in the late 1940s and early 1950s respectively, of a physicist who worked on the Manhattan Project which built the first atomic bombs.| Slant Books
“The dead will always find ways to speak….” When Teffy Byrne steals a dead sex worker’s coded journal from a local art show, she thinks it might shed light on an unsolved murder committed seven years ago. The victim? Teresa Squires, her boyfriend Ger’s old flame. But Teffy has to put Teresa’s journal aside because […]| Slant Books
Entangled Objects is a contemporary pilgrim’s progress, the story of three very different yet interconnected women. As the story advances, their overlapping lives reveal the mysterious entanglement of quantum behavior.| Slant Books
Thirteen-year-old Erica Pickins does not want to play the piano—and she definitely does not want to go to England. But her father must take family and students for a fall semester abroad, and her mother insists she still practice, every day.| Slant Books
In addition to The Substance of Things Hoped For: A Novel, Tom Noyes is the author of three story collections: Behold Faith and Other Stories (Dufour 2002), short-listed for Stanford Libraries’ William Saroyan Award; Spooky Action at a Distance and Other Stories (Dufour 2008); and Come by Here: A Novella and Stories (2014), winner of […]| Slant Books
It has now, in 2025, been almost twenty years since the publication of The Year of Magical Thinking, writer Joan Didion’s prickly, spare nonfiction account of her husband’s unexpected death during New Year’s week in 2003. It arrived in the mail on a day I was home sick from work, and I lay in bed with my head pounding and read the whole thing within hours. The post Daughters of Joan appeared first on Slant Books.| Slant Books
It’s a dark poem; that’s for sure. Yet throughout, the poetry itself lessens the darkness. That recurring “have it,” the regular meter, the rhymings throughout (especially that “spaces”/“race is”), the alliterations, —these (to my mind) lighten the gloom. The poem is at once playful and deeply unsettling. Frost, in his mastery, truly has it both ways. The post Robert Frost’s “Desert Places” appeared first on Slant Books.| Slant Books
On the front cover, against a mostly red background, was the white image of a seamed baseball, with the words “The Babe Ruth Story” inscribed on it. In a black box underneath it: “By Babe Ruth as Told to Bob Considine.” To the left, in vertical layout, were four small black and white photographs, showing in sequence the Babe’s mighty swing. The post Close Reading: My Story, continued appeared first on Slant Books.| Slant Books
In the poem “Exile for the Sake of Redemption,” Yehoshua November dares to bring the Divine down to earth. This suggests that it is up to us as it is to God to “engage in activities that we imagine will enrich our future.” Teaching and learning are two of those activities. Poetry—writing and reading it—is another.| Slant Books
If you polled every last person in the world, I’m sure you’d find that, at one point or another, they've written a poem. Not the Haiku assigned in third grade. I’m thinking of the visceral thing composed on the edge of love. Maybe it’s never written down but goes on shaking about, caged in a dusty corner of the mind. The post You Will be Wounded appeared first on Slant Books.| Slant Books
Utilitarian reading (AI) considers words as symbols referring only to other symbols like them. Words are therefore interchangeable, fungible—place holders for each other. AI obligingly sorts the symbols so as to condense and summarize them. By contrast, close reading offers not an answer but a presence. Words are not fungible tokens but embodiments of a speaker’s voice. In utilitarian reading we SEE the words. In close reading we HEAR them, and behind those spoken words someone speaking t...| Slant Books
GAR ANTHONY HAYWOOD is the Shamus and Anthony Award-winning author of thirteen crime novels: Seven featuring African-American private investigator Aaron Gunner; two recounting the adventures of Joe and Dottie Loudermilk, Airstream-owning crime solvers on the constant run from their five grown and troublesome children; and four standalone thrillers. Haywood’s first Gunner mystery, Fear of the Dark, […]| Slant Books
“As a person of faith and a third-generation Chicano, I find myself living in the hyphens of this existence, wholly both, but constantly living with the tension. My novel found a supportive home with Slant as they celebrate the in-between, work that pushes boundaries between the world we can see and the world we cannot.”| Slant Books
On the Poetry Foundation’s website page for Pattiann Rogers, we read that “She is noted for her ability to link the natural and scientific worlds in works filled with sensual imagery, spirituality, and a sense of awe.” And also that her books from 2004 through 2017 “continue to explore theological possibilities as revealed through the natural world.” Today, I want to follow this theme in a single volume: Generations (2004). The post Pattiann Rogers’s Poems of Spirituality in Natur...| Slant Books
In this post, I’d like to share with you the story of my career as a close reader. I wonder whether your experience is anything like it. I wonder, too, whether this kind of career is possible today, in an era dominated by social media and full of suspicion and doubt about the value of the humanities. The post Becoming a Close Reader appeared first on Slant Books.| Slant Books
I’m rereading Paradise, Victoria Redel’s most recent collection of poems. Beginning with some midrashic poems, retellings of the story of the Garden of Eden, the book moves on to poems about family, childhood, adolescence, parenting, desire, aging, memory, menstruation, and more. Poems that, at a glance, don’t appear to have anything to do with paradise and the loss of paradise. Yet, on a fourth and fifth reading, I see how deeply connected some of the common experiences of, say, aging,...| Slant Books
My question throughout my reading of these three very different treatments of Hitler, has been: What theme—if any—unifies them, beyond the scandal of their subject? I suggest that that theme has to do with each work’s willingness to picture Hitler dramatically, as a figure of tragedy. The post Turning Hitler into Art? Part Two appeared first on Slant Books.| Slant Books
Cervantes played with the tradition of chivalric romances, just as Shakespeare echoed (on at least one occasion, in Hamlet, mockingly) the Latin plays of Seneca. These authors reveal a paradoxical pattern in literature so consistent as to approach the status of a law: We go forward by looking back. The new literary experience is founded in literary memory. The post The Forest Fires of Amnesia appeared first on Slant Books.| Slant Books
I’ve become slightly obsessed with a writer named Alexander Trocchi. Trocchi was a Scottish writer born in Glasgow in 1925. He probably should have died of a heroin overdose, since he was addicted to the drug for much of his life and lived as an addict on the streets of NYC for many years. Alas, he died of cancer in London in 1984. The gods are, as ever, cruel and mischievous. The dedicated smack addict perished from smoking too many cigarettes.| Slant Books
In his interview with Slant Books about his new poetry collection, titled Vanishments, Eric Pankey says: “In my poems, I tend to be drawn to moments where things that we perceive are just on the verge of perceptibility—a presence leaning toward absence, an absence coalescing into perhaps a presence. The poem, as an artform made of words, becomes the embodiment and articulation of that in-betweenness, instability, disequilibrium, imbalance.” The post Vanishments in Eric Pankey’s New Po...| Slant Books
“I have never started a poem whose end I knew,” Robert Frost said, because “writing a poem is discovering.” But how do writers know when they’ve discovered the end? How do we know when a piece of writing is done, is the way we want it, the way it must be? Perhaps that’s why the Internet teems with advice for poets seeking counsel and support for dealing with this problem. I recall a thread that had the caption, “How the hell do I end a poem?” The post Beginning and Ending: Lou...| Slant Books
In my poems, I tend to be drawn to moments where things that we perceive are just on the verge of perceptibility—a presence leaning toward absence, an absence coalescing into perhaps a presence. The poem, as an artform made of words, becomes the embodiment and articulation of that in-betweenness, instability, disequilibrium, imbalance. With a bit of language, I attempt to give shape to the ineffable, that which is beyond words.| Slant Books
: W. D. Snodgrass’s master poetic work, The Fuehrer Bunker: The Complete Cycle, was years in the making. Finally published in 1995, the work reflects his care in adjusting not only the tone but the shape of each character’s poetic speech to model his or her personal character. Speer’s stately, self-serving monologues are presented as a sequence of triangles (reflecting Speer the builder). Himmler’s dry monologues are divided into individual letters imprisoned in graph paper grids. And...| Slant Books
I don’t know the desert. I’ve slept in a palm-branch hut, rented for $1 a night from a Bedouin, by the Red Sea in the Sinai Peninsula when it was under Israeli control. I’ve spent hours in a broken down Jeep waiting for help somewhere in the Sinai. I’ve watched the sunrise from atop Masada in the Judean Desert. Just a few weeks ago, I visited Joshua Tree National Park, where two deserts, the Mojave and the Colorado, meet.| Slant Books
Carolyn Forché is now a celebrated American poet. But she was far from that on the day in the late 1970s when a car pulled up outside the remote California beach house that she was renting. The driver idled the engine, then finally turned it off. At that, Forché, alone in the house and busily typing, noticed the sudden silence and became apprehensive. In her gripping memoir What You Have Heard is True, she narrates what happened next.| Slant Books
WINNER, 2023 NEXT GENERATION INDIE BOOK AWARD FOR HISTORICAL FICTION For a brief time in mid-nineteenth century Oneida, New York, two of the most eccentric and fascinating figures in American history crossed paths when troubled soul and soon-to-be presidential assassin Charles Guiteau threw in his lot with John Humphrey Noyes’s utopian community of “free love” believers.| Slant Books
In the spirit of Muriel Spark and Walker Percy, The Age of Infidelity‘s eleven stories embrace the comic, the absurd, and the dead serious. Faithless parents betray their children, the young betray the old, and lovers betray each other—but somehow these characters cling to hope. Aging white cheerleaders shout through an online megaphone, remembering a […]| Slant Books
Lawrence’s “The Migration Series” is painted with Casein tempera, a paint derived from milk protein. HeLevi’s poems are composed of air from the lungs, the vibration of the vocal cords, and the shaping of sounds with the mouth and throat. The voice was translated into visual form, alphabetic writing, and was initially preserved in iron gall ink written on parchment or vellum. This poem, these paintings: wonders. The might of human imagination and artistry. The post Where I Find You ap...| Slant Books
Othello’s love for Desdemona is intense and exhilarating to him, but it’s fragile, for it has come at a cost. This warrior, an older man, different in race and background, celebrates his passion for his beloved even as he wonders whether the sacrifice of his freedom was worth it. Has he given up too much, lost more than he gained? That’s Othello’s fear, the vulnerability Iago exploits. The post Close reading Shakespeare: Othello Speaks appeared first on Slant Books.| Slant Books
Fr. Murray Bodo is now in his eighties, but in this new collection his creative mind is as rich and fertile as ever—as it ranges over such subjects as favorite museums; Easter, Christmas, and other seasons; his New Mexico childhood, his travels, his aging.| Slant Books
In her memoir, called Y2K, Colette Shade accomplishes the feat of critiquing “millennial nostalgia,” beginning by reenacting the frenzied eagerness that prompted it. She stacks up like houses of cards the accumulations of places, people, products, and promotions that once entranced her, and then undercuts them, so that they flutter to the floor, wilted and weightless.| Slant Books
FINALIST, Next Generation Indie Book Awards From acclaimed crime novelist Gar Anthony Haywood comes a riveting tale unlike any he’s told before . . .| Slant Books
“Llorona was no harmless little pigeon. She was the lechuza, the owl you see just before someone is about to die, the one that haunts you in your dreams and you never want to see in real life because it means you are about to lose someone you love.”| Slant Books
The poems we hear in Tim Hunt’s new collection embody, for me, Jack Kerouac’s teaching: that to accept loss forever is, paradoxically, to embrace it in the present—to treat it as an ever-present reality, one that reveals unexpected beauty and solace, but only if we become part of that revelation.| Slant Books
Ever since I first read Pattiann Rogers’s poem “On the Way to Early Morning Mass” (in her 2001 collection Song of the World Becoming), I’ve been enthralled by it. But I haven’t tried to move through it slowly, line by line. That’s what I want to do in this post.| Slant Books
This essay isn’t political. It’s about the heart. It’s about the spirit, bruised, battered. It’s about friends, this essay. They feel agitated. They feel helpless. They are limiting their exposure to the minute-by-minute updates. They are turning off their news feeds. Or they are obsessively refreshing their screens. Fueling and refueling their rage, their fear, their despair.| Slant Books
The characters in John Salter's short story collection There Will Never Be Another Night Like This have one thing in common: they’re in flux. Will they pivot and move on gracefully, or stumble and fall?| Slant Books
I have been a reader of Hölderlin for many years. I took down his collected poems and read his hymns to the Virgin Mary and Patmos, his elegy “Bread and Wine” and his river poems (on the Main, the Neckar, the Rhine, the Ister).… They are fraught, paradoxical poems that display majestic architecture, and they brought me some peace.| Slant Books
In a small North Carolina riverside town where past and present are mysteriously entangled, young Daniel Waterson is growing up in the towering presence of his father Ray, a decorated Vietnam veteran whose mystical powers extend far beyond those of a trained soldier. Their lives are irrevocably altered when Ray accidentally kills a local boy, […]| Slant Books
According to Sartre, sharing the world together, interacting with others, and having relations with our fellow-creatures is a necessity in the world. We all live in ecologies where our interactions with each other, with animals, and with plants shape the world around us. But “our critics” have chosen to interact only with those creatures who no longer exist. They want to reside in a ghostly ecology where the spirits of the dead roam.| Slant Books
NOW AVAILABLE! Plato famously defined a human being as a “featherless biped.” It’s hard not to sense the ironic humor in this definition, a reminder that, for all our talk about human dignity, our condition is contingent, vulnerable, and at some level even comic. Perhaps that’s why the writer A.G. Mojtabai—known for her dry, understated, subtly humorous but ultimately honest and courageous depictions of the human condition—chose the name for her latest novel, set in the confines o...| Slant Books
Ideals and reality collide when six college friends band together to start an ice cream store, promising “Better Food for a Better World,” but finding a worse world than they had expected.| Slant Books
As revolutionary forces gather in the Lacandon jungle of southern Mexico in the fall of 1993, an idealistic American priest vanishes from his post in San Cristobal de Las Casas. The church, immersed in trying to negotiate a peaceful solution to the escalating conflict between wealthy landowners and poverty-stricken indigenas, remains strangely silent in the […]| Slant Books
My bedside dresser is a disaster. Don’t take my word for it. That’s a photo of it you see here. Too many books piled in every direction, about to fall over. My wife Peggy counts them from time to time, calling out the growing number so that I can’t fail to hear it. She refuses to straighten the piles herself, much as she’d like to. She wants me to do it myself.| Slant Books
A young woman is dead. A man with diminished capacity is accused. His friends, also wounded, try to help him. In the process, they teach Jon Mote a thing or two he desperately needs to learn. Jon no longer hears voices, but he’s not convinced a silent universe is much better than a haunted one. […]| Slant Books
A timely, stylishly written, and brilliantly conceived metaphysical thriller, Coyote Fork carries us on an unforgettable journey, before bringing us face to face with the darkness at the heart of Silicon Valley itself.| Slant Books
Despite some fifty years now of “experimental fiction,” the majority of current novels I’ve read still aim for the Roman arch structure—but fail miserably. I’m mostly thinking of books in the “blockbuster midlist” category, like Jonathan Franzen’s works. Like the painstaking ratchet of roller coaster cars up the incline, these novels develop complex action and character so meticulously that they are forced to cut loose in the final third, the cars careening downhill in the kin...| Slant Books
Karl Shapiro was a leading poet of his time: winner of the 1945 Pulitzer Prize for his collection V-Letter and Other Poems, Consultant in Poetry to the Library of Congress for 1946-1947, editor of Poetry magazine from 1950 to 1954. And he was included in the 1956 anthology Fifteen Modern American Poets, along with poets like Robert Lowell, Richard Wilbur, and Theodore Roethke.| Slant Books
Below I give you the first paragraph of Philip Roth’s American Pastoral —a book that creates its main character and its theme only to undermine both. The paragraph is a gift to a close reader because it enacts all this creating and undermining within just its own short compass. Conceivably, you could savor just this paragraph, claim you’d read the whole book, and walk away with a good conscience.| Slant Books
Canadian poet Richard Osler’s new poetry volume, What Holiness Can I Bring? is shadowed by death. Several poems express his grief over the death of a close friend. Then while Osler was in the midst of writing the poems that became this book, he learned that his own death was near: he was diagnosed with terminal cancer. So, naturally, he began composing poems on this diagnosis and its implications.| Slant Books
I've been reading Mojtabai ever since, as her slim and potent novels have appeared at intervals over the years. Even if we concede that every interesting writer is in a sense sui generis, Mojtabai has had a career that distinguishes her as one who follows her own path. In some respects, she could be said to have had an anti-career, as stubbornly resistant to literary fashion as to the imperatives of the marketplace.| Slant Books
One of Theodore Baird’s essays goes much further. In “Sympathy: The Broken Mirror,” he argues that this short-circuiting of the distance between the words we read and what they mean applies also to how we “read” others, as well as ourselves. To claim to know any Other tempts us to make a leap of the imagination into a world where at best we see darkly.| Slant Books
William James said belief is what we actually attend to, as opposed to what we simply profess. On those terms, I must be the world’s most devout follower of Cees Nooteboom’s novel Rituals (1980), which I read again recently on a long flight home. I’m haunted by these languid, philosophical pages. I keep going back to try to understand the haunting.| Slant Books
September 17, eight days before the Asheville storm, my wife and I left town. First stop, D.C. to visit our son and his partner. Next stop, New Rochelle, N.Y. to visit our daughter and her boys. Monday, September 30, the day after a “Yetzirah: A Hearth for Jewish Poetry” retreat for the board and staff in Manhattan: head home. Settle back just in time for the first night of Rosh Hashanah, the Jewish New Year. That was the plan.| Slant Books
Ernest Hemingway said he wrote on “the principle of the iceberg”—1/8th above the surface, 7/8th below. For him, less is more, the meanings more powerful because they’re not stated, but implied. That’s why Hemingway has been praised for his art of omission, knowing what to leave out. It’s why the novelist Anthony Burgess honored him for teaching writers “how to use the silences between words.”| Slant Books
I’m browsing my poetry shelves looking for poets I haven’t read in a while. And there, practically jumping into my hand, is E. E. Cummings’s Poems 1923-1954. I also found him in both my editions of The Oxford Book of American Verse (1950 and 1976). And right away in the Oxford selections I come to his poem about driving his new car.| Slant Books
On an eerily warm October evening in a suburb of Detroit, a new father and struggling fantasy novelist named McPhail gazes at a honey locust tree. The sight triggers a memory of the sudden, inexplicable death of Hannah, whom he loved when they were both fourteen. So begins a year-long odyssey, in which McPhail becomes obsessed with recollections of Hannah, puts his job and his marriage in jeopardy, and fears that his “obsolete consciousness” is spiraling into apocalyptic religious and eco...| Slant Books
One day for reasons unknown I was struck with this image of a boy riding with his father along a back country road. When I put myself in that boy’s shoes, I couldn’t help but see from the perspective of my own boyhood, which put them in North Carolina, and made the boy’s father a Vietnam combat veteran—someone big, powerful, and dangerous, as my stepfather was (or at least that’s how I saw him at the time).| Slant Books
I picked Shakespeare’s Sonnet 129 mostly because, at the time, the sonnet’s edgy tone about the drive to tamp down the earthly passions–—something I was personally dealing with at the time!-—cohered to my own struggles. I scrawled the poem in cursive on notebook paper over and over, trying to memorize it, and in memorizing it, it became a part of me—a part of my body, really| Slant Books
I looked hurriedly through Miss Thater’s Designs. I felt overwhelmed by the sheer number of them. Page after lined page of meticulously plotted circular or ovoid geometric forms of various sizes, all arranged symmetrically around a grounding middle field. The forms were laid out first in pencil, probably freehand, then filled in with color from colored pencils or inked pens. No design was quite like another.| Slant Books
The literary critic Stanley Fish has lamented that when poets are not taught in classrooms, they cease to exist. That’s extreme, but there’s some truth to it, and among modern American poets, a case in point is Robinson Jeffers. He’s rarely on syllabi, and it has been this way for a long time. But at his best, Jeffers is a powerful Nature poet. He’s well worth reading, studying, and learning from.| Slant Books
There was a quite extensive exhibit of Caspar David Friedrich paintings at the Albertinum, one of the art museums in Dresden. One has the feeling that there is always a Caspar David Friedrich exhibit at one of the art museums of Dresden. Nonetheless I was glad for it. I was glad to move slowly from one canvas to the next and to see more Friedrich paintings in one location than I had ever seen before.| Slant Books
In July 2024, Pope Francis issued an extraordinary 5000-word Pastoral Letter titled “On the Role of Literature in Formation.” At first, he says, he’d thought of addressing it to people engaged in pastoral work, including of course priests; but then he realized that his audience should be all Christians—because his subject was “the value of reading novels and poems as part of one’s path to personal maturity.”| Slant Books
Here’s a poem by Yvor Winters (1900-1968), written during World War II, when California was on guard against possible attacks by the Japanese navy and air force. I’d like to lead you through this poem, and share a lesson I learned from reading and thinking about it.| Slant Books
On the first day of spring in the Inland Empire of Southern California, our narrator Joe inadvertently rams his car into Ronnie, a homeless man riding a bicycle. The bike is crushed, aluminum cans are scattered, but a new relationship is formed.| Slant Books
Turning: an, if not the, essential act of Jewish life. Teshuvah, we call it. Repentance, it’s translated. “Teshuvah,” writes Rabbi Alan Lew, is “a Hebrew word that we struggle to translate. We call it repentance. We call it return. We call it a turning. It is all of these things and none of these things. It is a word that points us to the realm beyond language, the realm of pure motion and form.”| Slant Books
